Sony HDR-FX1000 Review

As one of the people that has purchased and use Sony HDR-FX1000 almost everyday, I can say this is my best purchased on this year. Why I say that? It’s because this Sony HDR-FX1000 has all features that I need, like:

• Features three 1/3-inch ClearVid CMOS image sensors with Exmor derived technology
• Includes a 29.5mm wide-angle to 590mm telephoto G-lens with 20X optical zoom
• Also comes with 3.2-inch Xtra Fine LCD and Optical SteadyShot image stabilization
• Experience high-quality, film-like motion with 24p progressive scan mode
• CinemaTone Gamma and CinemaTone Color give your footage a film-like aesthetic

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HDR FX 1000 Features

HDR FX 1000 Cassette3x 1/3″ ClearVid™ CMOS Sensors w/ Exmor™ technology

The Sony HDR-FX1000 features three 1/3” ClearVid CMOS Sensors, each having 1,120K total pixels. The 3 independent CMOS sensors each handle one of the color elements – red, green, blue (RGB) – improving the color reproduction of video recordings. Dark scenes can be captured with low noise thanks to “Exmor”-derived technology that features a new column A/D converter and dual noise reduction. Sensor resolution has been optimized and the photosensitive surface area has been maximized thanks to the unique grid arrangement of the photo diode sensors, in which each is rotated by 45 degrees. This model also features the signal processing circuit, the Enhanced Imaging Processor (EIP) which uses Sony’s unique image-processing technology.
Superior low-light (1.5 LUX) shooting capabilities

uperior low-light ability with high sensitivity enables clear shooting of subjects in light as low as 1.5 lux (at 1/30 fixed shutter speed with auto iris and auto gain). With using hdr fx 1000 allows you to capture sharp detail and brilliant colors even in less than perfect lighting, especially when professional lighting cannot be used.

2:3 pull-down to 60i for editing on most HDV software The 24p progressive scan signals are recorded to tape as 60i through means of 2:3 pull-down. This 2:3 sequence allows HDV material to be reverted to its original 24p form, as captured by the camera, using a compatible nonlinear editor2. Similarly, a 30p signal is recorded as a 60i signal by dividing each frame into two fields. This approach allows 24p and 30p progressive footage to be played back or fed to an editing suite seamlessly.

Manual Gain/Shutter/White Balance Adjustment

The ability to manually adjust gain, shutter speed, and white balance makes it possible to fine-tune the Sony HDR FX1000 model’s settings for near-professional operability and advanced image expression.

Minus Auto Gain Control (Minus AGC) When shooting in overly bright conditions, this feature enables the selection of gain settings in the negative range for satisfying results with minimal noise.

0.45″Xtra Fine View FinderThis camcorder features a high-resolution 0.45” Xtra Fine (1,227K pixels) View Finder1 that offers extra clear visibility.

Sony HDR-FX1000 Review

Nice camera with a few minor reservations

By Theodore Trinkaus “videouy”(pittsboro NC)

Having had this camera Sony HDR-FX1000 for only a few days, this review is somewhat preliminary but I have owned a couple of Sony cameras (TRV900 and FX2100)and my first impressions are generally good.
First of all, it feels good in your hand and the unit feels solid. The hi res lcd screen is great, I just wish they’d make it as big and bright like the 3.5″ on the TRV900. The lens is great with a nice wide angle of view, but it does have a bit of barrel distortion. The tele-extender does not have a smooth transition from optical to digital like most zooms, it’s a tele-extender on the lens, making it more of a telephoto zoom. I was surprised by this design, it seems a digital zoom beyond the regular optical one would be better since it would give you a continuous 30x zooming range.

The left side of the camera is cluttered, more so than it needs to be. I think Sony sometimes changes things that don’t need changing, like moving the scrolling wheel to the side where it’s lost in a maze of buttons. This may sound nit picky, but when you’re in the field shooting you want simplicity. The less you have to think about the controls, the more you can concentrate on composing. I do like the iris ring on the lens barrel(one less reason to try to find that scroll wheel!). The built in mike actually sounds pretty good but a Rode Video Mike or similiar would probably be worth it.

I played with the “cinematone” stuff and the jury’s still out for me. Video does not look like film. I’ve seen too many cameras with 24p, 30p, Progressive scan, etc that just looked like jerky video, not film. I think it can be a useful feature but it doesn’t turn your footage into “instant film”. Anytime I’ve tried to make my footage look like film, I’ve had to do each scene in post, separately.

Anyway, the low light capability is very good, and the resolution is stunning if you’re going to hi def for the first time. Supposedly, HDV is a less efficient codec than AVC(with more artifacts)but I have not noticed any, even in low light. Tape has it’s limitations(1hr recording, dropouts) but I haven’t had any. I’m using the regular Sony tapes not the fancy HD ones (and they’re cheap)! Tape is also an great archive format.

That’s all for now, if i have more thoughts as I go along I’ll update this review. Hope this helps.

Recently shot a wedding with this cam and it worked great. The 20x zoom came in very handy during the ceremony considering I couldn’t move around. The auto focus worked perfectly 95%

of the time allowing me to concentrate on composition. The built-in mic provided good sound quality. I did use a wireless with an external XLR adapter during the ceremony that worked very well.
Overall, I think this camera offers a very good bang for your buck in picture quality if you can live without the XLR inputs but you’ll need to get used to finding the scroll wheel. Highly recommended.

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